Author: Phil Tani

Posted: Nov 19, 2024

Zolita turned the Voodoo Room at San Diego's House of Blues into a dazzling celebration of identity, love, and creativity during the rescheduled stop of her Queen of Hearts Tour. Despite the initial postponement due to illness, the pop visionary delivered a show that exceeded all expectations, transforming the intimate venue into the stage for a fictional beauty pageant bursting with glitz, glam, and powerful music.

The performance unfolded like an elaborate competition, with Zolita and her two dancers stepping into the roles of pageant contestants. The concept brought theatrical flair to the evening, complete with dramatic costume changes that kept the audience entranced. Zolita began the night in a stunning black bedazzled outfit adorned with a sash reading "Lesbian Supreme," embodying her unapologetic pride. The night continued with a glittering red cowgirl ensemble that brought a playful energy to the show and culminated in another shimmering look that perfectly matched the ethereal, celebratory tone of the finale.

Musically, the setlist was a perfect balance of upbeat, danceable tracks and intimate, stripped-down moments. High-energy numbers like “Somebody I F*cked Once” and “Crazy Ex” had the crowd jumping, while heartfelt ballads like “Ashley” featured just Zolita and her guitar, creating a raw and emotional connection with the audience. A cover of Shania Twain's "That Don't Impress Me Much" was a crowd favorite, as Zolita interjected common queer references in between the lines ("You're a femme who likes femmes"). Her vocals shone throughout, effortlessly transitioning between playful rebellion and vulnerable sincerity.

The audience was also invited to be part of the fun with a sash contest, celebrating the most creative sash among the crowd. The winner, crowned during the show, earned the chance to meet Zolita after the performance—a thoughtful gesture that underscored the artist’s commitment to fostering a personal connection with her fans.

The show wasn’t just a sonic experience; it was a visual spectacle. Neon lights, a massive heart made of glitter, and thematic props transported the audience into Zolita’s whimsical pageant world. Her dancers added dynamic movement to the stage, elevating songs like “Ruin My Life” and “I F*cking Love You” with synchronized and sultry choreography that enhanced the storytelling.

Closing the night with newest single “Bye Bye Baby,” Zolita brought the crowd to its feet, ensuring the evening ended on a triumphant note. The rescheduled performance may have taken a little longer to arrive, but the result was an unforgettable night of music, creativity, and unapologetic self-expression.

With her unique blend of theatricality, musicality, and authenticity, Zolita proved once again why she’s a rising star in pop music. The Queen of Hearts Tour stop in San Diego was not just a concert but a celebration of individuality and queer joy, leaving fans with memories they’ll treasure long after the final bow.

Photos and Review by Phil Tani